DEFINING TERMS


A critical design practice insists on situating and assessing design not only in relation to briefs and objectives, but in relation to design’s broader cultural, political, and material contexts. In this publication, graduate students in the RISD Graphic Design department practice such situating through critical writing on existing design work. Each ‘review’ aims to push beyond the traditional scope of design critique to consider the ways that graphic design operates in society and in relationship to structures of power.

The article to the right was my contribution to the newspaper, along with support in the overall design of the publication.

Written and designed by students in the RISD Graphic Design course Graduate Seminar 1 under supervision of Anther Kiley.

Vol 2, Fall 2024
Size: 11.5” x 15”

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